| Baltic breeze | |||
| 05 April 2007
Julius Honnor goes to the highly charged launch of a short Russian film about the ethnic divide in LatviaThe wind blowing through the launch of Elena Michajlowska’s short film was more a gale than a breeze, with tensions high and little sense of a middle ground between seemingly implacable ethnic groups.
An ex-Soviet state on the shores of the Baltic, Latvia has a population of 2.3 million, of whom around 60 per cent are ethnic Latvians and about 30 per cent are Russian speakers. Many of the Russians came (or were sent) to live there when it was a part of the Soviet Union. Many families have been in the country for generations (some for as much as 300 years), call it home, and have nowhere to ‘return to’ in Russia. Many ethnic Russians, regardless of how long they’ve lived in Latvia, do not have citizenship – they have no vote and are given only ‘alien of Latvia’ passports, coloured purple in order to tell them apart from Latvians. They are seen by many Latvians as still being occupiers: ‘You are not citizens of the second sort, you are nobody,’ says Visvaldis Lacis, Latvian MP. Ruled over the centuries by Swedes, Germans, Poles and Russians, Latvia has spent very little of its history as an independent country. Which may in part explain an enthusiasm to exert what seems, to British eyes, a narrow form of national identity. At Pushkin House in Bloomsbury, people gathered for the launch of Michajlowska’s film and for a debate between some of its protagonists. Two are drawn from the extremes of the debate, with one centrist representative: Liene Apine (Latvian National Front), Raimond Krumgold (Latvian National Bolshevik), and Svetlana Savitskaya (Party of Unity) are Latvia’s young politicians, but the problems they are occupied with are age-old. Much history in Latvia seems to still be very raw. A large part of the film focuses on an annual commemoration, in which Latvian veterans of the Waffen SS march through the streets of Riga. They are held up as heroes by many Latvians because they fought alongside the Germans in the Second World War against their Russian neighbours. At the same time, however, there is strong opposition to the glorification of Nazism. Many of these divisions are along ethnic lines, and when the two sides clash in a central square, each calls the other ‘fascists’, and aggressive insults fly. The veterans sing about a ‘deadly battle against the red plague’.
Liene Apine says that ‘there is no place for [ethnic Russians] in Latvia. Latvia is a place where the only rights are for Latvians.’ This way of thinking, which seems fairly common in Latvia, leaves little room for manoeuvre for ethnic Russians in the country. Apine goes as far as to call for forced repatriation of Russian speakers, but Raimond Krumgold says that this would be the equivalent to forcing all English-speaking people out of Wales. The debate continues along these lines – Svetlana Savitskaya calls for compromise, but there is none of the talk of integration or multiculturalism that tends to dominate other, similar debates in Britain. Her solution to the problems raised in the film about the veterans’ commemoration is that ‘we should not celebrate dates that split the nation in two halves’. At best there is talk of tolerance, but what comes across is a lack of understanding and acceptance, and little sense of any kind of shared notion of culture or identity. The Latvian debate may have a long time still to run. Julius Honnor is web editor for Catalyst. Baltic Breeze will be available to rent from www.conferfilmz.com at the end of the summer. The trailer can be seen or downloaded at the same website.
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